Weird Al "Tacky" review
I've been a Weird Al listener for a long time, and something a lot of people don't take into consideration is just how damned good of a musician he is.
The way that I master audio files today for my songs is by using what I call a "smash compression" technique. Audio pros would probably consider this a really bad way to master an audio file, but I like the way it sounds and it works for me.
This is how I smash-compress a master audio WAV brought out of the ZOOM R8 and into Audacity.
There was a time in the 80s when neon-colored guitars sold fairly well. Has that time come again?
