Ugly Fenders of 2020 - Electron Green Strat, Tele and Precision Bass
Yes, these guitars exist. Unfortunately.
Take the Player Stratocaster in Electron Green. Bleah. And if you can believe it, there is a Telecaster and Precision Bass in this same color available as well. Double and triple bleah.
Okay, yeah, these are "rare", so it does make them collectibles - but only because of the color. These are otherwise regular models just with a color you never see them in.
This is basically the same color you see on fleece clothing (hoodies, jackets, etc.) and fleece blankets except really shiny.
The good part is that these guitars sell for no more than models in other colors. The bad part is... well... the color itself.
I suppose there is another good part. You could claim you have a "Custom Shop" Fender guitar, and nobody would disagree with you since Electron Green is obviously not a regular run finish option.
Fender Lead II does a loud green a whole lot better
Strats simply do not look good in green. It doesn't work. But the Fender Lead II in Neon Green? Yes, that works. Why? That is a guitar you would expect to be in a loud green color considering the era from which it originally came from. It has a shape and style to it that takes to the bright green much better than the Electron Green Strat does.
Also, your eyes are not playing tricks on you. The Neon Green of the Lead II is a just a touch darker than the Electron Green which has more yellow in it.
Both colors are loud, but given the choice between the two, the Lead II's Neon Green is less annoying.
Personally, I'm not into green guitars. Just look how much better the Lead II is when finished in Crimson Red Transparent or basic Black. Night and day difference.
But if you gotta go for the green, consider the Lead II first. Strats are cool and all that, but again, the Lead II just carries the color so much better.
How to get the country slapback guitar sound
Getting the country slapback sound for guitar is easy, and you probably have all the gear you need to do it right now.
Quick note before explaining how this is done: This sound also doubles as a rockabilly tone. The only real difference between the country and rockabilly version is that rockabilly uses a heavier mix. I'll give more detail on that in a moment.
What is the country slapback guitar sound?
A delay effect done in a specific way. This means you will need a delay effect to get this sound. If you have a guitar amp with built-in effects, you most likely already have the delay effect you need. If not, you will need a delay pedal.
As far as I know, every delay pedal can create a slapback sound because the effect is simple to get.
How to set your delay effect
First, set up your delay to have a single repeat. That's the "slap" part. On most delay pedals, making a delay have a single repeat means setting the "feedback" to 0%.
Second, mix in the delay effect to 50% or less.
Third, set your delay time to about 130ms. If your delay effect doesn't show millisecond numbers and only has a knob to change the delay time, set it to a short delay.
For a rockabilly sound...
If you want more of a rockabilly sound, it's almost the same as country slapback. Turn the delay mix up to 60% or greater, and increase the delay time slightly. If you have it set to 130ms, try 150ms or slightly more.
Playing style
This is the only part of the slapback sound that takes some practice to get right.
Slapback works best with shorter, quicker notes and chords. It also helps to not use overdrive or distortion as that makes the "slapped" delay sound much better.
If you've never tried a slapback delay effect before, the easiest way to start is muted single notes on the wound strings (low-E, A and D). For chords, the easiest country style progression is G major to C major and back again. To add some "flavor" to that later, you can change to G major 7th and C major 7th.
I made a video demonstrating this so you can have a listen.
Do Herco picks live up to the hype?
I bought these just to see if they live up to the hype, and this is what I found out.
Before getting into that, a brief history concerning these specific guitar picks, because it explains the reason why I bought them in the first place.
While true what we now know as Delrin (a.k.a. acetal, POM or polyoxymethylene) did technically exist in the 1960s, the Tortex guitar pick didn't come into existence until the 1970s. And the main reason Tortex picks came into existence is because it was intended to replace tortoiseshell since that material was banned. Tortoiseshell used to originally mean "made from the shell of a tortoise", similar to how piano keys used to be made from real ivory that came from elephants or other white-tusked animals. The very name Tortex is supposed to mean "synthetic tortoiseshell".
Prior to the Delrin material that we now all enjoy, the hard/flat guitar pick materials widely available that allowed some flex were celluloid (thermoplastic) and nylon. Other materials like wood and metal were always available but didn't flex like celluloid and nylon did. Felt picks were also always available (and still are) but were very thick and much better suited for acoustic stringed instruments and electric bass rather than the 6-string electric guitar.
Additional notes on felt picks: These are made far, far better now compared to days of old. But it's still true their best use is on acoustic stringed instruments and bass. If you want a pick with some flex that has absolutely no "clack" to it where only the strings are heard with each strum, felt picks are great for that. Wood picks are the next best thing.
Herco nylon picks
I acquired two types of picks by Herco (now a Dunlop brand), the Vintage '66 and the Flex 50. They look identical, but the '66 is stiffer.
Supposedly, these very specific Herco picks are "the sound of rock". This is what dudes used to use back in the '60s to get that oh-so sweet rock guitar sound.
Personally, I don't get along with them. But I now understand why some guitar players swear by these things.
Watching YouTube videos of guys using this pick will not give you any better idea of what a Herco is like, because it's more of a feel thing than a sound thing. This is why I didn't bother recording a video of it myself.
I describe the Herco nylon pick as the sound in between a Tortex and celluloid, and will do my best to explain what I mean by that.
A celluloid pick has the most pronounced string strike where you will hear lots of "clack" as you play.
A Tortex pick has a slightly muted string strike. It's still there, but not as pronounced as the celluloid.
The Herco nylon pick has the feel of a celluloid, the string ring of a Tortex, and a slightly-quieter "clack". This is why I say the sound sits in between the celluloid and the Tortex.
As a soloing pick, no. Not good for that.
As a chording pick, yes. Excellent for that, even if it's just power chords. Strings ring out loud and clear when struck with thin nylon, and without the clacky noise that regular celluloid has.
For the classic rock sound with mild overdrive, oh yes, Herco delivers.
But for what I play personally, which is cleaner stuff and surf tones, I need a "clackier" pick and the Herco doesn't work too well there for my style of play.
Again, Herco picks are great, but I just couldn't get along with them.
But don't let that stop you from trying them. This is especially true if you've never used nylon guitar picks before. If you're going to try nylon, go Herco, and it might be just what you're looking for.
I bought an SX Furrian
New guitar in the barn. And it's not a Squier.
SX from Rondo has been on my radar for a long time. Years, in fact. I decided to go ahead and get one and was not disappointed.
I'm officially past the point of caring how the headstock is shaped
SX guitars in the Fender-esque style have headstock shapes that look nothing like Fender's Stratocaster or Telecaster shapes. This is obviously done on purpose for legal reasons so nobody mistakes an SX for a Fender.
Fender designs obviously have the legacy and the heritage. When applied to the Squier brand (owned by Fender), the headstock shape is in fact a selling point of those guitars.
At this point in my guitar playing life, what I care about more is how the guitar performs as an instrument rather than how it looks.
The SX neck design is something I can't get from Fender nor Squier even if I wanted to. Not as a production instrument, anyway. Sure, I could ring up the Fender Custom shop and they'll make a Telecaster any way I want - for several thousand dollars. I'm not spending that kind of cash just for a neck I can get from SX on a complete guitar for under $200.
I know that no matter what I say here or elsewhere, those who care about headstock shapes will always go for the Squier or Fender first. The only way to get along with a guitar like the SX Furrian is to let go of that headstock shape and enjoy the guitar for what it is.
There is no compromise in getting an SX. None at all. The guitar is put together well and the build quality is solid.
I got to the point where I let go of the headstock shape and gave SX a try. Very glad I did, because yeah, it's good.
Don't collect guitars
It's not exactly hoarding, but pretty darned close.
If there's one thing you see a lot of on YouTube, it's guys showing off their worthless guitar collections. They're worthless because the majority of what they own is hardly ever played.
These guitars either spend most of the time in cases, sitting on stands on the floor or hanging on the wall. They don't get used.
Just about every guy who makes a video on his collection says the exact same things, such as:
"A lot of you guys have been asking to see my collection!" That's a lie. Nobody ever asks this. Ever. It's especially a lie whenever the guy also says 'people ask me all the time' and/or 'people ask me daily' to see the collection. Never happened. Again, nobody ever asked.
"Owning a bunch of guitars makes me a better player!" No, it doesn't. Never has, never will.
"Here is my [insert random worthless guitar here], it's rare!" Guitar collectors think they own valuable stuff, because of course they do. Sorry pal, that Dimebag guitar you have is, at most, worth about $200 in trade at Guitar Center. You think it's worth 3 grand. You're wrong. It doesn't matter how much you paid for it, it's still junk. Rare does not mean valuable.
And here's the kicker:
They all sound the same
Some videos of guitar collections have sound samples, which is the collector taking each instrument and playing a few riffs on them.
Notice that what doesn't change from guitar to guitar is the player. Ultimately, one guy will still sound like that one guy regardless of which guitar is in his hands; this is especially true if the sound samples are all drowned in distortion.
All guys who have guitar collections fall into this trap. Yeah, you have 20 guitars, but no matter which one is in your hands at any given time, there is barely a difference in sound from one guitar to the next. A 6-string is a 6-string is a 6-string.
There is one benefit to watching guitar collection videos
That one benefit is seeing what not to buy.
I'm pleased to see collection videos by idiots who spent thousands on guitars only to have them end up as wall decoration. They spent the money and I didn't have to.
On a final note, it's especially funny when watching guitar collection videos where you can totally see Guitar Buyer's Remorse in the guy's face. That happens a lot. Sometimes he'll even flat out lie and say "I bought this [insert crap guitar here] from a friend". No... wrong... that didn't happen. He saw that hunk of junk in the guitar store, paid way too much is trying to point the blame at someone else (who doesn't exist) for why that guitar is such crap. Your fault, dude. Always was.