How to create drum backing tracks for guitar the easy way
If you want to know how to create drum tracks in the easiest possible way to play your guitar along with, or if you don't like following a metronome and would prefer drums instead, this is how to do it. You might even have the equipment you need already right now to do it.
In this video, there are drums present. I didn't play them. They come from my keyboard, a Casio CTK-6200. That synthesizer makes it stupidly easy to pick a drum style, go to the accompaniment section and just have at it. It's literally as easy as pressing 3 buttons. Intro, normal rhythm, end...
...and that's the secret to getting drum tracks in the easiest possible way. Use a "portable keyboard".
My adventures with creating drum tracks
Over the years, this is what I've learned about creating drum tracks:
The #1 problem with drum machines is that they all shove way too many features in, making the machine unnecessarily difficult to use. It doesn't matter if it's digital hardware or virtual drumming software. Creating a usable drum track should be stupidly easy, but it's anything but that.
All I want to do is set the tempo, get a basic drum beat going, record that into the multitrack session (such as Audacity seen in the video), then use other tracks to lay down my guitars, bass and so on. But wow, do drum machines make that difficult to do...
...but with a portable keyboard it's dirt simple. Set a tempo, pick a beat, press the play button, and you're ready to go. That's how it should be when just trying to get a simple drum track to play along with.
Are portable keyboards easier than drum machines or virtual drums?
Yes, absolutely. The sound samples are good and the ease-of-use is there.
Before showing some decent portable keyboards that are available...
Most people have a portable keyboard lying around the house somewhere. Or if you don't, you probably know someone that does. Whatever that keyboard is, as long as it has full size keys and a way to output audio to whatever you record audio with, go get it.
Or heck, even if it doesn't have a traditional 1/4-inch output, it's guaranteed to have a headphone jack. If that's what you end up with, buy yourself a 1/8" stereo to dual 1/4" cable, a.k.a. Y cable. The small 1/8" goes into the keyboard, and the 1/4" ends are the left and right channels that go into whatever mixer you use.
Even if it's an older keyboard you end up with, you'll probably find at least 3 drum beats in it that are good enough for backing drum tracks that you can record to follow along with your guitar later.
What's available new?
There are several good choices out there, but I personally recommend going cheap and sticking with brands that know how to do a low-cost portable keyboard right. And those brands are Alesis, Casio and Yamaha.
If you go Korg or Roland, you're going to spend a lot of cash. They both make great stuff, but again, it will cost you.
However, these choices won't hit your wallet hard at all and will get you those easy-to-use drum kits:
- Alesis Harmony 61
- Casio CTK-6250 (or 6200 like the one I have, same thing, different color)
- Yamaha YPT260
One more small note on the video: I did absolutely no editing for the drum track. What you hear there is a 100% stock Casio CTK-6200 rhythm preset. The only thing I did was slow it down to my desired tempo, adjusted the record volume, recorded it (it's the first track), then laid down some guitars and bass direct from my Line 6 Spider V 60. That was it. Nice and simple.
And yes, you can do it too. If drum machines be it hardware or software have frustrated you to no end and you want easy, get a portable keyboard and create backing drums that way. That's as easy as it gets.
The BOSS DS-1 is an awful guitar pedal
Yes, I think this pedal sucks...
...but at the same time it has a reliable sound that never does you wrong and it is worth owning.
I'll explain.
Guitar players buy a BOSS DS-1 for basically one reason. It is the cheapest distortion pedal that's built like a tank. Yes, there are tons of other distortion pedals out there, but the DS-1 is only pedal that can truly hold the title of stomp box at its price point. You can quite literally stomp on this thing hard, and at no time will you think "Gee, I sure hope I don't break this thing." Trust me, you're not going to break it.
As well built as the DS-1 is however, the tradeoff is that it's a tone wrecker.
Any guitar that's plugged into this thing will sound the same when the pedal is on. It's a biting, nasty, trebly sound that completely strips a guitar of any natural pickup harmonics and blares out a tone best described as "square".
The only way to really get a DS-1 sounding anywhere near usable is to dial both the TONE and DIST knobs all the way back (yes, all the way), and then start shaping your sound from there.
The first thing you'll immediately notice about the DS-1 is that even with TONE and DIST turned all the way back, distortion still exists. This pedal always has dirt in the sound, and that's part of its tonal character.
The second thing you'll notice is that TONE is oversensitive to the point where anything past the 12 o'clock position is pretty much unusable.
The third thing you'll notice is that DIST is also oversensitive to where anything past 12 o'clock is pretty much unusable.
But even with all this suck going on...
...the DS-1 is still one of the best distortion pedals of all time and is worth owning.
The DS-1 never has an "off day", so to speak. It always sounds the same every time. The same can't be said for other pedals. Every time you stomp the DS-1, the same square sound comes out very reliably.
Another thing about the DS-1 that most people don't mention is that once you're able to wrangle a decent sound out of it, that square tone is easy to mix because the sound is so squashed. Also, the tone of the pedal can cut through any mix with a quick turn of the TONE knob.
I personally believe the secret of having a decent DS-1 tone is using an analog delay pedal with it, such as the BOSS DM-2. A small amount of delay works very well to tame the grit of the DS-1. As for whether the delay should exist before or after the DS-1 in the chain, that's up to you. Try both and see which works best for your sound.
Another thing I'll mention about the DS-1 is something I've said before. You absolutely, positively cannot plug in a DS-1 direct to a mixer and expect it to sound good. That will never happen. A DS-1 must go through some kind of amp modeling first since it was designed for amps originally (it was originally released in 1978, after all, and it hasn't changed much since then).
In the end, yes you can get a DS-1 to sound good, but it takes effort to do it. And a delay pedal.
The Black Friday 2018 guitars
It's time to list off my personal picks for guitars to get this holiday season.
Black Friday lands on November 23 in 2018, so to get the jump on what's good out there, I'm listing what I think are the axes to get before that day comes around.
My picks are a bit different this year in the respect that I'm covering a wide price range. The list below is from $200 to $2,500, starting with the lowest-priced first.
This is, without question, the "easiest" Jazzmaster there is, as it's just a simple hardtail build with two humbuckers. Great introduction to the Jazzmaster shape, and works great whether you leave it as-is or mod it.
If the Jazzmaster shape doesn't suit, this will. For a little more, this absolutely incredible value from Schecter is a genuinely good guitar. It looks way more expensive than it actually is. Very solid build all around.
Squier Vintage Modified '70s Stratocaster
This is a guitar I've personally owned before. Great Strat. Very easy way to get the big Strat headstock with a modern comfortable neck shape. This is one I regretted parting with and might buy another one someday because this axe definitely delivers proper Stratocaster tone and just looks cool.
Squier Classic Vibe '50s Stratocaster
This is the Strat to get if you prefer the '50s style and smaller headstock. Again, great guitar. Where this differs other than in appearance is that it has pickups with alnico III magnets that, while not having as strong of a pull as alnico V, does result in higher treble response and works better with vintage-style tones. In other words, if you want a Strat with as "clean" of a sound as possible without having to upgrade it, get this one.
The Tribute ASAT from G&L is a killer Telecaster style axe. It's a nice combination of vintage and modern touches, but what really sets it apart are the MFD pickups made in Fullerton, California. Pickups like what's in the ASAT are what most Tele players upgrade to, but you get them stock in this guitar.
Epiphone Les Paul Standard Plus Top PRO
Most people cannot afford a Gibson Les Paul Standard, so the sensible choice is to go Epiphone. And the one people want is, of course, the Standard Plus Top PRO in Heritage Cherry Sunburst. This guitar is absolutely loaded with goodies and includes coil-splitting with its ProBucker pickups, so you really are getting something special with this guitar. I'm not a Les Paul guy myself, but even I can see that this Epi delivers.
I mentioned very recently this guitar will probably go away in 2019. 2018 will most likely be the very last year we'll see the Mexico-made Fender Standard Stratocaster. Fender lists that the Sunburst is the only one available right now, but you can also get it in black or in Arctic White.
This may be your last chance to get a Standard before it's permanently retired and the Player model completely replaces it.
Fender Classic Player Baja Telecaster
Originally a Fender Custom Shop model, this worked its way into the regular Fender lineup because so many players like it. The trick up the Baja Tele's sleeve is a 4-way switch where you can change back and forth between series and parallel wiring, and the S-1 switch for some serious tonal options. It's a hot-rodded Tele that completely keeps the look of a classic vintage Telecaster.
A mainstay in the Schecter lineup for a while now, the C-1 Hellraiser is a serious rock guitar. It's always sold well and everything is very well put together. This is a no-brainer buy for anyone that wants a rock guitar that needs absolutely no upgrades whatsoever. Out of the box, this thing is ready to go. And it's a gorgeous guitar with a nice sense of elegance to it. Not overdone, not underdone. Just right. You'll get a smile on your face every time you look at this resting on its guitar stand before picking it up to play it.
While true the current Fender American Professional Jaguar is largely inspired by the Marr Jaguar and costs less, I still prefer the Marr version because of the extra controls on the top horn. That, and I think the headstock logo on the Marr Jag looks cooler. The mods done to this particular Jag are what most fans of this guitar would want in the first place. Easy-to-use four-position blade selector on the bottom horn, upper horn switches (one "universal bright" switch, one "4 position bright" switch), taller tremolo arm with nylon sleeve to prevent arm swing, and just an excellent player all around. Great Jag. Again, the Am. Pro Jag is no slouch, but I still think this is the better guitar where a modernized Jag is concerned.
Fender Eric Johnson Stratocaster
I've said it before and will say it again, this is the best Artist Series Stratocaster that Fender makes. Yes, even better than the Clapton Strat. Why? Because it has the most features that players would actually use. Note that there are no string trees on the headstock because it already has special staggered-height tuners that eliminates the need for them. The fingerboard is a 12" radius like a Les Paul, making for easier note bending without fretting out. The neck shape is a "soft V" contour (very comfortable).
A note on this guitar: It does not have a plastic rear cover for the rear tremolo spring area, nor are there any holes drilled in the body to place a cover on back there. This is the way Eric Johnson wanted it, and I 100% agree with the decision since getting strings through that cover has ALWAYS been a pain in the butt when doing string changes.
Again, this is the best Artist Series Strat there is. There are of course other Artist Series Strats, but they all have dopey things done to them while this one has all the things done you would want to have (much like the Johnny Marr Jaguar mods).
Ibanez JS2410 Joe Satriani Signature
Last on the list and most expensive is the Ibanez JS2410. While not my style of guitar, I can't deny that this is one serious badass axe. It has all the toys. The pickups are both DiMarzio with the bridge being a "Mo' Joe" and the neck being "Satch Track" (note the dual rails, there's no hum noise here). All frets feature "Prestige fret edge treatment", meaning every fret is machined to perfection. Neck is a 3-piece of maple + bubinga for ultimate stability. Electronics feature push/pull coil-tap on the tone knob that changes the humbucker to a single-coil. Even the tremolo arm is an "Ultralite" for ridiculously smooth and easy tremolo use.
Like I said, this is a badass axe. It has a high price tag, to be sure. But there's nothing else like it. The color is MCO, which means "Muscle Car Orange". And that's just cool.
Again, not my style of guitar, but with this one you totally do get what you pay for. And yes, it does come provided with a hardshell case.
Happy shopping, everyone.
Is the Fender Standard Stratocaster going away?
This guitar will probably be gone very soon.
I noticed something on the Fender.com web site recently. Although the Standard Stratocaster is still listed there, it's not listed as a main category of Strat anymore.
Uh-oh.
Only one Standard Stratocaster is listed for sale, the Sunburst with 1-piece maple neck. That's it. No other choices.
This strongly indicates that 2018 is the final year you can buy a Standard Stratocaster new. After this, the model that replaces it is the Player Stratocaster.
We saw the retirement of several Fender models over the past few years. American Standard was replaced with American Professional, American Vintage was replaced with American Original, and so on. But the one that held out the longest was the Mexico-made Standard. And that's the one that will most likely not survive into 2019.
What does this mean for the Strat?
A few things.
- It's probably the last time ever you can buy a Fender Strat for under $600.
- It's probably the last time you'll see a non-vintage/special model with the 6-screw bridge instead of the 2-point.
- It's probably the last time you'll see a non-vintage/special model with a 21-fret neck instead of the modern 22.
- With the retirement of this model, the most mod-friendly Strat will be gone from the lineup.
It's #4 that takes most Strat players by surprise.
When you want a Fender Strat that uses 100% standard Fender measurements for a relatively low price that will fit almost any third-party replacement part (pickups, pick guards, bridges, tuners, etc.), the Mexico-made Standard is the best thing going for the money when the goal is to mod the guitar.
The Player Stratocaster, while "better" in certain respects, means you have to fork out more cash and end up with a guitar that is not as mod-friendly as its previous model.
I'm not saying the Player Stratocaster is bad, because it's not. It's actually quite good - but it costs more and isn't as mod-friendly. With the two-point bridge for example, you can't just drop in a 6-screw. Not without drilling holes into the guitar, anyway. That's just one small example.
Should you buy a Standard Stratocaster now?
If you want one that's the most mod-friendly, yes, get one now while they're still for sale new and comes with a warranty. It's very possible that come 2019, you won't be able to buy this model new anymore.
Midnight Telecaster from Japan
It came from Japan...
...but I don't like it. However, you may like it. You can make that decision for yourself after reading my thoughts on this guitar.
Take the Fender Made in Japan Traditional 60s Telecaster Midnight. And yes, there is a Stratocaster version, but I'm concentrating on the Tele since I just talked about Strats recently.
Obviously, this guitar comes in one one color, Midnight Black. It's got gold-gold-gold hardware everywhere with color-matched headcap that adds to the overall look. Nicely done.
However... it's a "Traditional" model, and that's where things go downhill for me.
This means a butt-adjust truss rod adjustment location where the neck has to come off the guitar to adjust the truss rod. It also means a 7.25" super-round fingerboard radius and a "U" shape neck.
In other words, yes it's built to '60s Fender specs.
I prefer modern spec Fender, but if you're looking for a '60s build that's new and from Japan with a cool look to it, here it is.
The biggest sell of this guitar for me is actually the U shape neck. That's a neck "with a lot of shoulder" to it that should result in something thick and chunky - and some players really like that neck feel.
How does it sound? No idea. But it is loaded with "Vintage-Style Single-Coil Tele" pickups from Fender, so it should sound bright and spanky like a Tele should.
What really sets this guitar apart from other Telecasters is the black-to-black body and headcap color match with gold hardware. Great look, and well done. Note that even the pickup cover for the neck side pickup is also in gold.
Every single exterior metal thing on this guitar is gold with the exception of the frets, which is fine. The look works.