Sleeper watch: Casio AQS800WD
This is a sleeper in Casio's lineup and I have to talk about this one.
For the first time I'm actually recommending an analog-digital timepiece. Ordinarily, I think ana-digi watches are awful. But this one is packed with so much stuff for such a good price that it's tough to pass up.
The first thing I'll mention is that this watch comes in many flavors. All the cases are the same but there's a huge amount of choice here. If you look at the Casio AQS800W models, you'll see black dial with "racing" orange or white numbers on the dial with the resin strap. If you look at the Casio AQS800WD, this is the sleeper piece.
Here's a rundown of the specs:
- 47.6mm lug-to-lug, 42mm case size, 10.6mm thick (quite slim for what this is)
- 100M water resist
- LED night light with afterglow
- World Time, 31 time zones with DST on/off
- 5 alarms
- Stopwatch
- Two countdown timers up to 99 minutes, 55 seconds with auto-repeat
- Full auto calendar up to year 2099
- Solar powered with battery charge indicator (very nice touch.) Battery lasts up to 10 months on full charge with no exposure to light
- Power save function (also a nice touch)
Now as for why the AQS800WD is the sleeper (the D indicates a metal bracelet), this is the feature:
- Neo-brite luminous hands and markers
I'll explain why this is so cool.
While true that having a backlight function and luminous hands/markers is redundant, the fact it actually has it on a watch packed with so many features is simply incredible.
Basically, the AQS800WD is a world traveler's watch, a diver's watch and a runner's watch all in one.
It is not easy to find a watch that does all this stuff all at once. If you were ever to call any timepiece the Swiss Army Knife of watches, the AQS800WD is it.
Are there any negatives? Yes, because no watch is perfect.
First, it doesn't have a second hand. The seconds are counted on the digital display. Yes, this means this watch does not tick. Or rather, it does tick, but only once per minute.
Second, the digital display is itty-bitty. Not the easiest thing to read. But the analog display is obviously very readable.
Third, between 6 and 7 o'clock or whenever the minute hand is between 25 to 35 minutes, the digital display is partially blocked. Not really a big deal, but slightly annoying.
Fourth, the bezel doesn't rotate. However, this is okay due to the fact the watch features two timers which is what a rotating bezel would be used for.
The resin non-metal version
From the models available, you're going to see orange-text, white-text and the insane all-red case version.
I have to admit, it's a very cool look for one reason: It totally looks like the tachometer gauge of a fast sports car. That's just badass.
With the resin version, you lose the metal bracelet and luminous hands/markers. Otherwise, it's functionally identical to metal version.
It should also be noted there is a huge weight difference between the metal and resin versions. The metal version is 89g in weight while the resin is just 33g.
Does the metal version have a metal case? No. The case is still painted resin, and that's why the watch weighs 89g and not over 100g.
Which should you go with?
In all honesty, both are great but the AQS800WD is the one with everything plus the lume.
What's my pick?
The silver dial version, which is the AQS800WD-7EV model.
The look of this one is spot-on for me as it's very monochromatic. Blacks, grays and silvers are all you see with no varying colors, save for the lume at night.
Yes, it's the same watch as the two above, just with a different appearance. Like I said, this particular model has a lot of variations to it.
The AQS800WD is obviously a sports watch first, so it's not like you could wear it with a suit, but for pretty much everything else you can think of, this is a great daily beater with some nice style to it.
Fender Limited Edition Pete Townshend Stratocaster is a miss
I saw this appear in my inbox, and here are my thoughts on this guitar.
There are some signature Fender guitars that are genuinely very good instruments like the Eric Johnson Stratocaster, but then there's not-so great stuff like the Pete Townshend Stratocaster.
Here's all the things that make the Townshend Strat not-so good.
Style
Torino Red body with a super-white pick guard (and I mean that as all 3 plies are white), no tint on the neck and that extra knob behind the bridge makes this thing look weird.
Electronics
The Townshend Strat has both regular (or rather semi-regular) pickups with use of Lace Sensor Gold Strat pickups.
But there's more.
It also has a "two-post Fishman Powerbridge tremolo bridge". This allows the guitar to produce acoustic-style sounds. And this of course requires a battery to make that work.
Where does the battery go? In the back "behind" the rear access plate. It is not exactly what one would call the most graceful modification.
There's also a TBX tone control on this guitar. This isn't a good combo when mated to the Lace Sensor Gold pickups. Why? It's not necessary. The Sensors have more than enough treble response on their own. If anything, there should have simply been an option installed to bypass the tone control entirely.
Neck
Just plain weird.
The spec sheet on Fender's web site states 21 frets but I see 22.
The neck shape is "Soft V", which is a vintage style shape, yet has a modern 9.5-inch radius fingerboard.
The nut width is 1.65", which is vintage style.
The fret size is tall/skinny vintage style.
The neck plate has a micro-tilt adjustment.
Summed up: A weird half-modern/half-vintage neck with a micro-tilt adjustment and frets that will probably buzz out with the slightest note bend.
A bunch of not-so good ideas rolled into one guitar
You know those guitars sold by guys on eBay that claim any change done to a guitar is an "upgrade"? That exactly describes what the Townshend Strat is. This guitar is full of "upgrades" that really don't improve anything.
If you want an example of different and good, see the Fender Offset Telecaster. Great guitar. Simple electronics and a very good player's instrument.
As for the Townshend Strat, however... no. Just about every single not-so good idea you could put in a Strat is present in this guitar.
Guitar of the week #66 - Fender Special Edition '50s and '60s Stratocasters
Oh, wow, did Fender absolutely nail it with these guitars. And I'm going to show them all to you.
Never in my life have I seen a run of Fender Stratocaster guitars where every color is absolutely spot-on awesome...
...until now.
Someone at Fender should be given a raise for the guitars I'm about to show you. But before I do, some quick specs.
These are Mexico-made Strats with vintage appointments. This means 21-fret necks, 6-screw bridges, "aged" plastics, slotted tuners, tinted necks, and truss rod adjustment at the heel. This is nothing you haven't seen before.
A guitar labeled as a '50s model means it has a maple fretboard. A '60s model means a rosewood fretboard. This is also nothing you haven't seen before.
As for the fretboard radius, that I don't know.
As for the electronics, that I don't know either - but - if it follows the specs I think it does, the '50s models have AlNiCo III magnet pickups and the '60s models have AlNiCo V magnet pickups. Switching is typical S/S/S style with no tone control wired to the rear pickup, which is period-correct wiring.
What makes these special?
The colors. These are the automobile-inspired colors that made the old Fender Strats so unbelievably cool looking. Every single color here is a winner.
I'd honestly love to own every one of these and I'm not joking. They all look good.
Here they are:
- Fender '50s Stratocaster in Rangoon Red
- Fender '50s Stratocaster in Jetstream Blue
- Fender '50s Stratocaster in Apple Green
- Fender '60s Stratocaster in Canary Diamond
- Fender '60s Stratocaster in Lilac
How come only 3 maple board and 2 rosewood board?
There is another rosewood board finish option, but the price is almost doubled if you want this one: Fender '60 Stratocaster in Daphne Blue with matching headcap
Why is this one so expensive? It's not just because of the headstock matching color. There's a nitrocellulose finish on both the body and neck. Not cheap.
Who cares about signature models and fancy electronics crapola when you can get cool Strats in cool colors?
Fender has had its missteps, but someone over in Scottsdale actually grew a brain and said, "Why don't we release some colors that made our guitars cool to begin with?"
And so they did.
Yes, I know they're not USA models, but who cares. I know some of you out there have been waiting a really, really long time for Fender to release some Strats in the some badass colors without having to pay a Fender Custom Shop price tag to get it.
They finally did. Go buy one.
What's my favorite? The '60s model in Canary Diamond. Love that yellow, love the vintage look. Works with the dark fretboard perfectly. My second favorite is the '50s Apple Green. Also a killer axe.
If anyone at Fender happens to read this, email me and send over a '60s Canary Diamond. I would happily play the bejeezus out of that thing.
Everything you ever wanted to know about guitar fret wire
This article is the result of an email I received.
An email came in specifically asking me what I thought about guitar fret wire concerning whether I prefer nickel/silver or stainless steel, what size I prefer and why.
I replied with a detailed answer (and he replied in kind with a donation which I very much appreciated,) and this is most of what I said in that reply since it will be of use to anyone trying to figure out what fret wire to with and why.
Most off-the-shelf guitars use nickel/silver fret wire
"Off-the-shelf" in this context means "guitars your find in the guitar store." Unless you specifically go looking for stainless steel frets (ordinarily reserved for higher-priced guitars,) the vast majority of the time you'll end up with nickel/silver.
Why is nickel/silver so common? Easy answer: Cheaper to source.
Compare nickel/silver to stainless steel and the price goes up a bit with stainless steel. Not a ridiculous amount, but for guitar companies who mass-produce instruments, every penny counts, so the cheaper stuff is used.
Common fret wire sizes
(To the best of my knowledge, these are Dunlop-specific wire model numbers).
Nickel/Silver
- 6230 - Small frets for vintage Fender
- 6130 - Medium Jumbo (most Squier, Epiphone and Gibson guitars)
- 6105 - Narrow/Tall
- 6150 - Wide/Tall (Fender American necks usually use this)
- 6100 - Big wire (Usually found on Ibanez necks)
Stainless Steel
- SS6230 - Small frets for vintage Fender
- SS6105 - Narrow/Tall
- SS6150 - Jumbo (Fender American necks)
- SS6100 - Big wire (Usually found on Ibanez necks)
Which is the better material?
Neither is better than the other. Which to choose depends on how fast you wreck frets.
At the time I write this, I'm having my first guitar, an '89 Squier II Stratocaster, refretted among other things. I specifically instructed the luthier to use stainless steel fret wire.
Why stainless? It's a harder material that takes longer to wear down. Since I wreck frets pretty easily, stainless was the logical choice to go with.
For example, with regular play I can put some fairly big dents in the first 3 to 4 frets of a neck in less than 3 years. And I mean the kind of dents that can't be fixed with a simple leveling. Nope. It's usually the case where I have to either get a new neck or trade out the guitar and get another one.
Generally speaking, if all you have is minor fret wear with 5 years of regular play on any guitar you own, nickel/silver is totally fine to use.
Believe me, if you're a fret-wrecker, you'll know it. Even with a perfectly set up guitar, some guys are just really heavy-handed on the lower frets and dent them right up quick. It happens.
Does string choice affect how long frets last?
Yes and no.
Some strings have more abrasive steel than others. For example, I'm personally convinced that RotoSound strings are fret wreckers and absolutely will not use them. Not on guitar nor bass. When I examine RotoSounds, I can physically see steel imperfections with the naked eye for the unwound strings. I won't go near that brand...
...but it could very well be that when I tried RotoSound, maybe they just had a bad run and may have fixed things up by now. Maybe I just bought Rotos at the wrong time? Totally possible.
Ordinarily, old strings are what wreck frets more than anything else. The non-stainless steel kind, that is.
I have to explain that one a bit.
On the bass guitar, you could keep a stainless steel set on there for 10 years. No, that is not an exaggeration. Some bass players buy one stainless steel set, periodically remove the strings, boil them in water to clean off the grime, then put them right back on the bass afterward. Yes, they really do this, and it works for them.
Guitar players ordinarily don't use stainless steel strings because they have a very shrill sound to them. Great for slide, but not much else. D'Addario, La Bella, Fender, Ernie Ball and others all make a stainless steel string set of some kind.
Do I recommend getting them? No, I don't. Like I said, very shrill sound. Great for bass because of their piano-like twang that breaks in real nice, horrible for guitar unless used for slide.
ANYWAY...
Fresh strings are the best to use to keep your frets from getting wrecked prematurely. If you see rust (i.e. black "lines" on the unwound strings,) put on a fresh set.
Does it make a difference who makes the fret wire?
Yes.
Dunlop makes frets differently than, say, Jescar does (famous for their EVO gold color fret wire). Each company makes different decisions on what alloys are used. One company uses more nickel and the other does not. One has a fret that's slighter harder, the other slightly softer.
I'll make it easy for you. If you want the harder stuff that lasts, just get Jescar stainless steel fret wire and call it a day - BUT - and this is a big but - realize that stainless steel frets don't polish up as nicely as nickel/silver does. If you want the shiniest stuff, use nickel/silver. If you'd rather have a fret that lasts longer, get stainless steel.
What wire size do I prefer?
Medium jumbo, followed by jumbo.
My first preference is medium jumbo just because most of the guitars I've owned have had medium jumbo fret wire installed on the neck.
However, my '89 Squier is having stainless jumbo wire installed on it. Interestingly enough, my red '89 Squier does in fact have a 12" fingerboard radius on the neck like a Gibson, so hey, who knows, maybe putting the Fender American Standard size fret wire on it (Fender does use jumbo on modern American Strats) will be a good thing.
If not, I'll get a little more string buzz, and if so, whatever. I'll deal with it. It's my first guitar and it will be nice to have a fresh set of frets on it. She deserves it, no question about that.
Final notes (fret hardness)
The final thing I'll talk about here is fret hardness.
Sometimes you will get a guitar that even with nickel/silver frets just lasts for years and years and years. Other times you will get a guitar where the frets start denting real fast.
Some people say cheap guitars use cheap steel for cheap frets that wear out quick.
Wrong.
All guitar companies have bad runs of guitars with crap frets at times, even for premium American made models. Sometimes the frets sourced for certain years are just total crap.
Your only guaranteed way to get good, long-lasting frets is to:
- Specifically buy a guitar with stainless steel frets on it (presuming the guitar company put the guitar together correctly)
- Install frets yourself (nickel/silver or stainless, doesn't matter since you're doing the install job)
- Order up a neck with stainless frets on it
- Have a luthier install new frets on your guitar neck
With mass-produced guitars, there's no guarantee the frets will outlast the warranty period at all. And even if the frets do wear out within the warranty period, the warranty won't cover it anyway since it's a "wearable part."
At least with cheap guitars, if the frets wear out it's not a big deal since you didn't put a bunch of money into it.
Lastly, as said above, I'm having my first guitar refretted. It's a cheap Squier, but it sounds amazing and it's my first, so it's worth the repairing/restoring. If you have a guitar you really, really like where it plays and sounds wonderful and the only thing it needs is fresh frets, find a luthier and pay him to refret the guitar. If you feel the guitar is good enough, it's totally worth it.
Guitar of the week #65 - Fender Offset Telecaster
This is a Telecaster and Jazzmaster hybrid. Is this a good idea?
Firstly, as far as cost is concerned, check out the price and decide for yourself whether you think it's priced fairly for what it is. At the time I write this, the Offset Telecaster is priced $100 higher than an American Standard Stratocaster. Worth it? Maybe.
An offset Telecaster, which is basically a Jazzmaster body with Telecaster electronics and neck, is not a new idea. Not at all. Other guitar builders have been crafting this for a long time. The only thing new about this is that Fender is actually building one.
I can totally see this guitar as being an instant collectible. Most limited run Fender guitars really don't capture that "I know this will be worth a bunch in 10 years" vibe, but this one totally does. For a Fender, this is very fresh, unique and cool. It's not just another Strat nor just another Tele. This thing has some real-deal personality to it.
Said another way, if you buy this guitar, stored it away and never played it, I'm fairly certain it would be worth double its price in 10 years if not more. Can I guarantee that? Of course not. But in 10 years, I'm pretty sure a mint condition never-played 2016 Fender Offset Telecaster will be worth some good coin.
I asked the question at the top of this article whether a hybrid Jazzmaster/Telecaster is a good idea.
Answer: Doesn't matter, because it's actually something fresh and different from Fender.
Without even having played this, I know it feels like a Jazzmaster, sounds like a Telecaster and plays like a Stratocaster with its 22-fret neck. It doesn't take a genius to figure that out.
As a player's guitar, yes, this is a good one because it has a nice simple design to it. No artsy-fartsy S1 switching or active electronics or special buttons or knobs or any of that nonsense is present on this guitar. It has Telecaster simplicity, just with a different body shape and a neck with an extra fret on it...
...meaning that even if you don't buy it for collector reasons and just play the hell out of it, it's a great guitar - if Telecaster tone is your thing. And if it is and you have the cash for it, buy the thing. It comes in Olympic White, Sunburst and Lake Placid Blue.
I personally like the Olympic White one best. Works well with the brass saddles on the bridge, although the other colors are great too. There are no stinkers here. Whatever color you go with will be a winner.