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Why the rock music scene in Tampa Bay sucks (and what can be done about it)

Since moving to Tampa Bay Florida in the mid-2000s, I've been in and out of a few bands. Some never went anywhere after the first rehearsal. Some would purposely withhold information such a conveniently not mentioning the fact it was a church band (if you're in a church band, say so up front or bug off, and I seriously mean that). Others I got kicked out of for "not playing well with others", and I'll explain more about that in a moment. And one turned out to have a singer who was nothing more than a pill-popping, stoner drunk. Of course I didn't find this out until after I joined the band, played a single gig where the singer took the stage in a high drunken state and promptly forgot half the lyrics to the songs he was singing. It wasn't pretty.

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The audio CD turns 30

compact disc digital audioI learned a few interesting things concerning Ye Olde Compact Disc.

On 1-Oct-1982, Billy Joel's 52nd Street was the first commercial compact disc, released in Japan. Now while true CD technology is several years older than 1982 (prototypes were around as early as the mid-1970s), the "music CD", if you will, started in '82, meaning the CD as we know it is 30 years old.

Should a band sell CDs at all anymore?

Ordinarily I'd say no because nobody wants them - BUT - you can at least produce them very cheaply for those that do if you go about it the right way.

If I were selling CDs (and I might try that in the future), I would only make LightScribe discs. LightScribe is a disc-etching technology, and the discs look like this:


To make LightScribe discs, all you need is a LightScribe-capable DVD burner (about 20 bucks) and LightScribe-friendly blank discs (also about 20 bucks).

If I were going the LightScribe way, it means I can make them on-demand. When someone places an order (I'd probably use PayPal), I can burn the disc specifically for that order, use software for to make the cool LightScribe-etched artwork, test the disc to make sure it works properly, then ship it out. Or, if I were going to play a gig that night, I could burn 10 discs to give away at the show. For the jewel case I'd just use clear slim cases.

The point to doing it this way is that it requires a minimal investment of about 40 to 50 bucks, and that's it. That's sure a hell of a lot cheaper than the several-hundred-dollars I'd have to spend for disc replication + artwork, which by the way would require a minimum order count of at least 100 to 500 discs!

If you're insistent on selling discs, do it the LightScribe way. The drive is cheap, the discs are cheap, the total investment is very minimal and the end product is still custom-to-your-band and looks cool.

So if you're going to go the CD route, don't spend a bunch of money on it. Get the LightScribe drive and discs, save a bunch of money by doing that instead of using traditional disc replication, and you've got yourself a nice little on-demand disc-maker setup.

This is what happens when I break my own rules

I bought a 12-pack box of Dean Markley Vintage 1972 reissue strings. As I've said in previous blogs, you should never buy this many packs of strings at once because what happens is that you'll never get through half the box without some of the strings rusting on you.

Well, that's exactly what happened to me even though I change strings roughly once every 3 weeks to a month. When I got to the 7th pack of strings, either the G or B string was rusted in any new pack I opened. I was able to get maybe 2 more sets of strings out of those 7 remaining packs, having to throw out the rusted G or B strings I found from the other sets.

Dean Markley should really offer the 1972 reissues in 3-packs, but unfortunately they don't.

D'Addario EXL120 strings on the other hand are offered in 3-set packs, so today I bought those instead.

I basically lost about 20 bucks for not following my own rules. Don't make the same mistake. 🙂

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